Bi Color LED Fresnel 200W Studio Light Fixtures Kit
FEL-S1 B is a professional 200W Bi-Color LED Fresnel studio light delivering exceptional color accuracy with CRI ≥97 and CQS ≥96. Offering tunable color temperature from 2700K to 6400K, smooth 0-100% flicker-free dimming (8/16-bit), and adjustable beam angle from 10°-50°, it is ideal for film, TV, and photography studios. Supporting DMX512 + RDM control, multiple dimming curves, and built-in effects, it ensures precise lighting control. The robust aluminum body with efficient fan cooling guarantees reliable long-term performance (50,000 hours lifespan). Easy daisy-chaining via Seetronic/Neutrik power and 3/5-pin XLR or RJ45 connections makes setup fast and flexible. Finished in matte grey, the FEL-S1 B combines professional-grade quality with user-friendly operation.
Highlights
→ DMX512 Control + RDM
→ Easy Connection
→ High CRI 97, High CQS 96
→ Bi Color, 3CCT,2700K-6400K
→ Dimming Curve: 4 Kinds
→ Aluminum Heat Sink with Fan
| Input | 110-240VAC | Power | 200W |
| Color Index |
Bi Color CRI>97 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 200W Bi Color 2 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 2 /3 /6 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional) | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. Exceptional color rendering (CRI ≥97) ensures skin tones and costumes look completely natural on camera, reducing post-production color correction time and cost.
2. Wide 2700K-6400K range with three preset CCT modes allows instant matching of any existing lighting condition without gels.
3. Smooth, flicker-free dimming even at high frame rates, combined with adjustable PWM up to 20kHz, makes it safe for slow-motion and high-speed shooting.
4. Full DMX+RDM support plus multiple channel modes and built-in programs offer maximum flexibility for both simple and complex lighting rigs.
5. Durable all-aluminum construction with active fan cooling keeps the unit running reliably during long shoots while staying quiet enough for sound-sensitive environments.
6. Versatile connectivity (powerCON-compatible, 3/5-pin XLR, RJ45) and easy daisy-chaining speed up setup and reduce cable clutter on set.
Q: Is the fan noisy on set?
A: The cooling fan is optimized for low noise operation and is generally acceptable even in quiet studio environments; most users report it is significantly quieter than traditional tungsten Fresnels.
Q: Can I use it without DMX control?
A: Yes, the light has manual control on the rear panel for color temperature, dimming, and zoom, plus built-in standalone programs and effects.
Q: Does it support auto-zoom or only manual?
A: The standard FEL-S1 B is manual zoom; an optional motorized auto-zoom version is available on request.
Q: Is it flicker-free for high-speed filming?
A: Yes, adjustable PWM frequency from 1-20kHz and 16-bit dimming ensure completely flicker-free performance at any frame rate.
Q: What power connectors are included?
A: It comes with Seetronic powerCON-compatible connectors; Neutrik powerCON TRUE1 is available as an optional upgrade.
1. Film and television studio lighting: delivers accurate color and controllable beam for key, fill, and background lighting in multi-camera setups.
2. Photography studios and video content creation: perfect color temperature matching and soft-edged Fresnel beam ideal for portrait, product, and interview shooting.
3. Theater and stage productions: DMX+RDM compatibility and silent operation make it excellent for live performances and broadcasting.
4. Live streaming and YouTube studios: high CRI and adjustable color temperature provide professional results for talking-head and creative content.
5. Event and conference lighting: compact size, easy rigging, and reliable cooling suit long-duration corporate events and keynote presentations.
6. Educational and rental houses: robust build, long lifespan, and versatile control options make it a favorite for schools, universities, and rental inventories.
FEL-S1 B 200W Bi-Color LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison
| Feature | FEL-S1 B (200W LED) | Traditional Tungsten Fresnel (1–2kW) | Winner & Advantage |
|---|---|---|---|
| Power Consumption | Only 200W | 1000W – 2000W | LED → 80–90% less electricity & lower running cost |
| Heat Output | Almost no forward heat; cool beam | Extremely hot (300–600°C, burns skin) | LED → Talent & set stay comfortable |
| Color Temperature | Fully variable 2700K–6400K + 3 presets | Fixed ~3200K (gels needed for daylight) | LED → Instant matching, no gels required |
| Color Accuracy | CRI ≥97, CQS ≥96, TLCI >98 across range | CRI ~95–98 only at full; drops when dimmed | LED → Consistently superior color |
| Dimming Performance | 0–100% flicker-free, 16-bit, 20kHz PWM | Flicker & color shift on dimmers | LED → Perfect for high-speed cameras |
| Weight | ~9.5 kg | 12–18 kg | LED → Easier & safer rigging |
| Lifespan | 50,000+ hours | 200–750 hours | LED → Virtually no lamp replacements |
| Warm-up / Restrike | Instant on | 30–60 sec warm-up, minutes to restrike | LED → Faster shooting pace |
| Noise | Ultra-quiet fan (<30dB) | Completely silent | Tungsten wins absolute silence (LED still quiet enough for most work) |
| UV / IR Emission | Zero UV, almost zero IR | High UV & IR | LED → Safer for talent and materials |
| Beam Control | 10°–50° smooth manual zoom | 10°–60° (model dependent) | Tie – both excellent Fresnel optics |
| Control Options | DMX512 + RDM, built-in effects, manual | Usually only on/off or basic dimmer | LED → Full modern integration |
| Upfront Cost | Higher | Lower | Tungsten cheaper initially |
| Total Cost of Ownership (3 years) | Much lower | Very high | LED pays for itself quickly |
FEL-S1 B delivers the same beloved soft-edged Fresnel look that cinematographers have used for decades, but eliminates nearly every practical drawback of tungsten: heat, power draw, short lamp life, color shift when dimming, and constant maintenance. For any production that shoots more than a few days a year, the LED version pays for itself quickly while giving superior creative flexibility and on-set comfort. The only scenarios where traditional tungsten still wins are ultra-low-budget shoots that already own the lamps and need absolute dead silence with no fan at all. In every other respect—especially professional film, TV, streaming, and rental houses—the FEL-S1 B is the clear modern replacement.
| Input | 110-240VAC | Power | 200W |
| Color Index |
Bi Color CRI>97 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 200W Bi Color 2 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 2 /3 /6 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional) | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. Exceptional color rendering (CRI ≥97) ensures skin tones and costumes look completely natural on camera, reducing post-production color correction time and cost.
2. Wide 2700K-6400K range with three preset CCT modes allows instant matching of any existing lighting condition without gels.
3. Smooth, flicker-free dimming even at high frame rates, combined with adjustable PWM up to 20kHz, makes it safe for slow-motion and high-speed shooting.
4. Full DMX+RDM support plus multiple channel modes and built-in programs offer maximum flexibility for both simple and complex lighting rigs.
5. Durable all-aluminum construction with active fan cooling keeps the unit running reliably during long shoots while staying quiet enough for sound-sensitive environments.
6. Versatile connectivity (powerCON-compatible, 3/5-pin XLR, RJ45) and easy daisy-chaining speed up setup and reduce cable clutter on set.
Q: Is the fan noisy on set?
A: The cooling fan is optimized for low noise operation and is generally acceptable even in quiet studio environments; most users report it is significantly quieter than traditional tungsten Fresnels.
Q: Can I use it without DMX control?
A: Yes, the light has manual control on the rear panel for color temperature, dimming, and zoom, plus built-in standalone programs and effects.
Q: Does it support auto-zoom or only manual?
A: The standard FEL-S1 B is manual zoom; an optional motorized auto-zoom version is available on request.
Q: Is it flicker-free for high-speed filming?
A: Yes, adjustable PWM frequency from 1-20kHz and 16-bit dimming ensure completely flicker-free performance at any frame rate.
Q: What power connectors are included?
A: It comes with Seetronic powerCON-compatible connectors; Neutrik powerCON TRUE1 is available as an optional upgrade.
1. Film and television studio lighting: delivers accurate color and controllable beam for key, fill, and background lighting in multi-camera setups.
2. Photography studios and video content creation: perfect color temperature matching and soft-edged Fresnel beam ideal for portrait, product, and interview shooting.
3. Theater and stage productions: DMX+RDM compatibility and silent operation make it excellent for live performances and broadcasting.
4. Live streaming and YouTube studios: high CRI and adjustable color temperature provide professional results for talking-head and creative content.
5. Event and conference lighting: compact size, easy rigging, and reliable cooling suit long-duration corporate events and keynote presentations.
6. Educational and rental houses: robust build, long lifespan, and versatile control options make it a favorite for schools, universities, and rental inventories.
FEL-S1 B 200W Bi-Color LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison
| Feature | FEL-S1 B (200W LED) | Traditional Tungsten Fresnel (1–2kW) | Winner & Advantage |
|---|---|---|---|
| Power Consumption | Only 200W | 1000W – 2000W | LED → 80–90% less electricity & lower running cost |
| Heat Output | Almost no forward heat; cool beam | Extremely hot (300–600°C, burns skin) | LED → Talent & set stay comfortable |
| Color Temperature | Fully variable 2700K–6400K + 3 presets | Fixed ~3200K (gels needed for daylight) | LED → Instant matching, no gels required |
| Color Accuracy | CRI ≥97, CQS ≥96, TLCI >98 across range | CRI ~95–98 only at full; drops when dimmed | LED → Consistently superior color |
| Dimming Performance | 0–100% flicker-free, 16-bit, 20kHz PWM | Flicker & color shift on dimmers | LED → Perfect for high-speed cameras |
| Weight | ~9.5 kg | 12–18 kg | LED → Easier & safer rigging |
| Lifespan | 50,000+ hours | 200–750 hours | LED → Virtually no lamp replacements |
| Warm-up / Restrike | Instant on | 30–60 sec warm-up, minutes to restrike | LED → Faster shooting pace |
| Noise | Ultra-quiet fan (<30dB) | Completely silent | Tungsten wins absolute silence (LED still quiet enough for most work) |
| UV / IR Emission | Zero UV, almost zero IR | High UV & IR | LED → Safer for talent and materials |
| Beam Control | 10°–50° smooth manual zoom | 10°–60° (model dependent) | Tie – both excellent Fresnel optics |
| Control Options | DMX512 + RDM, built-in effects, manual | Usually only on/off or basic dimmer | LED → Full modern integration |
| Upfront Cost | Higher | Lower | Tungsten cheaper initially |
| Total Cost of Ownership (3 years) | Much lower | Very high | LED pays for itself quickly |
FEL-S1 B delivers the same beloved soft-edged Fresnel look that cinematographers have used for decades, but eliminates nearly every practical drawback of tungsten: heat, power draw, short lamp life, color shift when dimming, and constant maintenance. For any production that shoots more than a few days a year, the LED version pays for itself quickly while giving superior creative flexibility and on-set comfort. The only scenarios where traditional tungsten still wins are ultra-low-budget shoots that already own the lamps and need absolute dead silence with no fan at all. In every other respect—especially professional film, TV, streaming, and rental houses—the FEL-S1 B is the clear modern replacement.
Feedback from the Clients Who Used
Efficient 200W power with 10°-50° zoom perfect for tight Berlin studios. RDM integration speeds rigging, and aluminum cooling handles heat without noise. Replaced my tungsten kit—saves energy and setup time on fast-paced series.
Verity Hampson
Lighting Designer
High CQS 96 ensures natural colors for vérité footage. Manual zoom and 16-bit dimming give precise control in unpredictable locations. Compact design travels light for European docs—outperforms old models in versatility.
Tim Routledge
Lighting Designer
Bi-color tuning from warm tungsten to cool daylight elevates stage moods seamlessly. Built-in programs add effects without extra gear. Durable build survives Nordic tours—essential for dynamic live performances.
Nigel Levings
Lighting Designer
Adjustable PWM prevents flicker in live broadcasts. Aluminum heat sink keeps it reliable during long BBC sessions. Bi-color flexibility matches mixed lighting—setup’s a breeze with RJ45 interface.
Jules Fisher
Lighting Designer
Robust powerCON links daisy-chain effortlessly for massive rigs. 10° spot to 50° flood handles explosions and chases. Quiet fan won’t mic in—saved my Atlanta blockbuster schedule.
Max Keller
Lighting Designer
High-frequency PWM flicker-free for 120fps action. RDM diagnostics prevent downtime on Netflix runs. Precise control rivals ARRI—transformed my sci-fi lighting in Hollywood.
Bruno Poet
Lighting Designer
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