Đèn triển lãm chạy pin ống 360 độ ’

The ILED-FEL-X11 is a 360-degree LED tube built around a battery, made for the spaces where running a cable to the lighting is the expensive part: exhibition booths, staged events, retail windows and tents. The tube stands, hangs or mounts on its end, emits from its whole circumference, and runs 8 hours on the internal battery, which is a full show day without a single cable on the floor.

The battery

The battery is the reason this fixture exists. A built-in 9600mAH lithium pack runs the tube for 8 hours at full monochromatic output, recharges in 8 hours, and is rated for more than 500 charge and discharge cycles. In practice that is a show day on one charge, with the tube topped up overnight from the 110-240VAC mains input between days. The battery is built in, so there is no pack to strap on and no cable to hide; the fixture is the tube, and the tube is all the venue sees.

Light output and colour

The light source is a set of RGBWA LEDs behind a 360° diffuser, so the tube emits from its entire circumference rather than one face, and 32 pixels along the length run individual effects: sweeps, chases and colour gradients that a single-colour tube cannot do. Colour tuning runs 1750K to 10000K, from candle-warm to a cool daylight match, with full RGBWA mixing for saturated colour and pastel tones in between. Output is 28W, brightness is set from the 4 dimming curves, and strobe runs 0 to 30Hz. The self-walking programs run built-in effects without a controller at all, which is the mode most booth crews actually use: set it on the touch panel in the morning and leave it until the hall closes.

Các tùy chọn điều khiển

The fixture carries more control paths than most stage lights. Wired DMX512 for a desk, 2.4G wireless DMX512 where running cable defeats the point, master-slave for linking tubes without a console, an infrared remote for quick changes, and a WiFi phone app for Apple and Android, all set from the OLED touch panel on the body. Channel modes run from 4 up to 160 channels, so a single tube behaves as one fixture on a small desk or splits into per-pixel control for a matched wall of tubes.

Body and build

The body is a Φ50mm aluminum tube, 1435mm long, weighing 2.5kg, which rigs on a stand, hangs from truss or lies on the floor behind a set piece. The aluminum shell is the heat sink, so there are no fans and no noise. The IP42 rating covers dry indoor use: exhibition halls, showrooms, stages and retail, not outdoor rain. LED life is 50,000 hours.

Nơi được sử dụng

Trade show booths, where a pair of tubes lights the back wall and the absence of cables passes the venue’s floor inspection. Stage and event backdrops, where 32-pixel effects run on wireless DMX. Retail windows and showrooms, where the display changes on the app without an electrician. Wedding and banquet tents, where the tubes stand in the corners and run the room on one charge. And film and photo sets, where a CCT-tunable 360° source with no cables is a lighting tool in its own right.

Những gì có trong hộp

Each unit ships as a single tube with the battery built in, the OLED touch panel on the body and the charging cable for the mains input. Mounting hardware matches the tube’s end caps, so the fixture stands or clamps without improvisation. No external ballast, no separate battery pack and no controller is required to put the tube to work; those are additions, not prerequisites.

Why do buyers pick the ILED-FEL-X11 over the alternatives? Here is what we hear from customers:

No cable, no negotiation. Exhibition venues charge for power drops and inspect every cable on the floor. A tube that runs 8 hours on its internal battery skips that whole conversation, and the booth lighting goes up in minutes.

Every control path on one fixture. Wired DMX, 2.4G wireless DMX, master-slave, IR remote and a phone app, all from the OLED touch panel; the tube works with the show desk or with nothing but a phone.

Per-pixel effects when the job wants them. The 32 pixels run sweeps and gradients down the tube, and the 160-channel mode gives each pixel its own address. On a wall of matched tubes, that is a moving effect line, not just a row of lamps.

Colour range that covers the job. 1750K to 10000K covers candle-warm to daylight match, and the RGBWA mix adds the saturated colours in between. One tube does the warm accent and the brand colour.

Built to travel. 2.5kg of aluminum, no fans, no external pack, rated 500-plus charge cycles; it goes in the flight case with the booth and comes out working.

The ILED-FEL-X11 goes where the lighting has to appear without an electrician: anywhere a cable run is expensive, slow or simply not allowed.

Trade show booths. A pair of tubes against the back wall lights the graphics, and the absence of floor cables passes the venue inspection on the first walk. The 8-hour battery covers the show day, and the phone app changes the colour to match the next product on display.

Stage backdrops and event walls. Tubes hung or stood behind the set run pixel effects on 2.4G wireless DMX, matched across the row by master-slave, with no cable loom on the ground for the crew to tape down.

Retail windows and showrooms. The display changes colour on the app between campaigns, the tube recharges overnight on the mains, and the window carries no visible wiring.

Wedding and banquet tents. Tubes stood in the corners and along the roofline run the room on one charge, CCT-tuned to the table linen by day and to colour by night, with no generator and no cable ramps on the dance floor.

Film and photo sets. A 1750K to 10000K tunable 360° source that stands anywhere without mains is a practical light for interviews and set dressing, adjusted from the touch panel between takes.