| Eingabe | 110-240VAC | Napájie | 200 W |
| Índice de color |
1800-8000K, CRI97 | Clasificación a prueba de agua | IP20 |
| Ángulo del lente | 10° – 50° | Lebensdauer | 50.000 Stunden |
| Lichtquelle | 200W RGBW 4 in 1 COB | Steuerprotokoll | DMX 512+RDM |
| Dimmmodus | 816-Bit-Dimmung | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Kanäle | 6/10 CH |
| Integrierte Programme | Ja | Gréisst > | 481x324x444mm |
| Stromeingang | Seetronic / Neutrik (optional) | ||
| Verbindung der Daten | 3 PIN oder 5 PIN XLR DMX, RJ45-Schnittstelle | ||
| Materialien > | Aluminiumgehäuse mit Lüftung für Kühlung | ||
| Abgeschlossen | Mattschwarz-Grau | ||
| Zoom |
Manuell, (Auto-Zoom als Option) | ||
LED-Fresnel-RGBW-Lichter 200 W Scheinwerfer für Studio-Beleuchtung …
The FEL-S1 C is a 200W RGBW LED Fresnel spotlight with full color control and clean white light in one fixture. The 4-in-1 COB source mixes through a Fresnel lens for a soft-edged beam. The 15° to 55° manual zoom covers tight spot to wide wash; a motorized auto-zoom is a factory option. CRI 97 and CQS 96 or above across 1800K to 8000K. PWM runs 1 to 20 kHz with 16-bit resolution for flicker-free high-frame-rate work. DMX512 with RDM supports 6 or 10 channels. Connections: 3- or 5-pin XLR, RJ45, powerCON. Matte grey aluminum, about 9.5 kg.
Key Highlights
- DMX512 Steierung + RDM
- Eemlech Verbannung
- Hohe CRI 97, Hohe CQS 96
- RGBW(1800K-8000K)
- Dämperkron: 4 Aarte
- Disipador de calor de aluminio con ventilador
Category: Event Lighting , Theatre Studio Light
Tags: DMX , DMX512 , Event Lighting , RGBW , Spot lighting
The FEL-S1 C is a 200W RGBW LED Fresnel built for stages and studios that need full color control plus clean white light in one fixture. It gives the soft-edged beam of a traditional Fresnel with the color range of a moving light, at roughly one-fifth the power draw of a 1kW tungsten unit and with far less forward heat.
Was unter der Haube steckt
The light source is a 4-in-1 COB module with dedicated red, green, blue and white channels. The white channel is the differentiator: it produces clean, accurate white light at any dimming level without the color shift that pure RGB mixing creates. The CCT range runs from 1800K to 8000K, so the fixture covers candle-warm through cool daylight without a gel change. Color rendering is CRI 97 and CQS 96 or above across the whole range. Preset LEE and Rosco gel matches are built in, plus user slots for house custom colors.
Kontrolla an Dëmpung vum Beliichtungsstruel
The lens is a Fresnel with a manual zoom from a 15° spot to a 55° flood, set from the rear of the unit. Barn doors and gel frames are standard size, so most rental parks already stock the accessories. A motorized auto-zoom controlled by DMX is available as a factory option. Dimming runs through 1 to 20 kHz PWM with 16-bit resolution; four selectable dimming curves let you match the response to what you are shooting. The result is flicker-free operation even at very high frame rates.
La lentigo estas un Frenselo kun mana zomo de 10° ponto ĝis 50° inundo, agordita de la maldorso de la unuo. Barn-pordoj kaj gel-kadroj estas de norma 8-folio / 4-gauge grandeco, do plej multaj luadejparkoj jam posedas la aksesoriajn partojn. Motorizita aŭto-zomo kontrolata per DMX estas disponebla kiel fabrika opcio. La atenuado funkcias tra 1 ĝis 20 kHz PWM kun 16-bita rezolucio; kvar selektieblaj atenuaj kurboj permas vin kongruigi la respondon kun tio, kion vi filmas. La rezulto estas senflicker operado eĉ je tre altaj fadotaj rapidecoj.
The control layout is standard DMX512 with RDM for addressing and diagnostics. Channel options are 6 (basic RGBW plus dimmer and strobe) or 10 (adds 16-bit precision, macros and curve selection). Standalone programs for color chases, fades, rainbows and fire effects are built in, so a unit can run without a desk. Data comes in through 3- or 5-pin XLR or RJ45 Ethernet. Power is a Seetronic powerCON-compatible in/out on the back; a Neutrik TRUE1 option is available for installations that spec the original. A backlit LCD and rotary encoder on the rear panel cover manual setup.
La kontrola dislokigo estas norma DMX512 kun RDM por adreso kaj diagnostiko. Kanalaj opcioj estas 2 (CCT kaj atenuilo), 3 (aldonas strobefaron) aŭ 6. Enkonstruitaj estas sendependaj programoj por TV flicker, paparazo, fulmoj kaj kandelfarboj, do unuo povasfunkcii farbojn sen tabulo. Datoj eniras tra 3- aŭ 5-pina XLR aŭ RJ45 Etherneto. Povoj estas Seetronic powerCON-kongrua en-/eldiro sur la maldorso; vere1 Neutrik opcio estas disponebla por instaloj, kiuj ĝin postulas. Konektado de sekvanta unuo tra vico de lumiloj estas rekta.
The body is precision-machined aluminum in a matte grey finish. The heat sink is sized for the light source, and a temperature-regulated fan keeps the COB at its rated temperature. Measured fan noise stays at or below 32 dB at one meter, which is quiet enough for classical theater and for picking up dialogue close to the light. The unit is rated IP20: a stage and studio fixture, not a washdown or outdoor light. Dimensions are 481 × 324 × 444 mm and the weight is about 9.5 kg, so it rigs on a junior stand or a pipe grid without special rigging. LED life is 50,000 hours.
La korpo estas precizaj maĉinita aluminio kun mela griza fino. La varmheltko estas trogranda por la 350W lumfonto, kaj temperaturo-regulita ventililo tenas la LED-on ĉe ĝia nomiga temperaturo. Mzurita bruo de la ventililo restas ĉe aŭ sub 32 dB unu metron for, kio sufiĉe silentas por klasika teatro kaj por kapto de dialogo proksime al la lumo. La unuo havas IP20: scenlumilo, ne lavenda aŭ eksterlumo. Dimensioj estas 481 × 324 × 444 mm kaj pezo estas proksimume 11 kg, do ĝi montas sur junia stelo aŭ tubo-reto sen speciala montado. La vivo de la LED estas 50,000 horoj.
Key, fill and color washes in multi-camera broadcast studios where a clean white key and a saturated color wash share the same rig. Specials and effect looks in professional theater, where the quiet fan and cool beam let the light sit close to performers. Narrative film sets that want a traditional Fresnel look without a hot tungsten unit on the stage floor. LED volume and virtual production stages, where accurate CCT and CRI 97 matter for matching the LED wall. And in rental houses, where one RGBW unit covers jobs that used to need a tungsten special, a bi-color key and a color wash on the truck.
Sertifikāti un garantija
The FEL-S1 C ships with SAA, CE and RoHS certifications. The SAA mark covers Australian and New Zealand market requirements. The warranty period is three to five years depending on region and distributor terms.
La FEL-S2 B liveras kun SAA, CE kaj RoHS atesto. La SAA signo kovras aŭstralan kaj nov-zelandan merkatabezon. La garantio periodo estas tri ĝis kvin jaroj depende de regiono kaj distribuantoj kondiĉoj.
A motorized auto-zoom, addressable over DMX, replaces the manual rear zoom wheel and covers shows where the beam size changes between scenes without a lane op. A Neutrik TRUE1 power input replaces the Seetronic-compatible socket for installations that spec the original. Standard 8-leaf barn doors and gel frames are not included; most rental parks already stock them, but for a single unit pulled off a shelf, budget a set with the first order so the rig is complete on arrival.
Why do buyers pick the FEL-S1 C over the alternatives? Here is what we hear from customers:
The white channel is the difference. Pure RGB mixing shifts hue at low dimming levels, which shows up on camera as a color cast. The dedicated white channel holds CRI 97 whites across the full dimming range, which is the reason TV and film studios spec it for key light work.
Candle-warm to crisp daylight. The 1800K to 8000K range covers the full practical spectrum for interior sets. Golden-hour and 5600K daylight keys run from the source, not from a gel pack.
Freendlech fir héich Videoläskomponenten. PWM leeft tëscht 1 an 20 kHz mat 16-Bit-Opléisung. Wann d'Show-Spezifikatioun 120 fps oder melerer Beweegung ufuerdert, flampt d'Licht net.
Roueg op der Bühn. The fan runs at 32 dB or below at one meter. Classical theater and dialogue-heavy scenes do not need a hush; the unit runs near open mics without a hum.
Bureaule o cunosc. DMX512 with RDM, 6 or 10-channel modes, XLR and Ethernet data, and a powerCON power chain drop into a grandMA3, Avolites or Hog patch without a translator.
CRI 97 and CQS 96 or higher across the whole 1800K to 8000K range. For mixed work that alternates between a saturated color wash and a clean white key, the numbers hold up. If the show is mostly white light with only occasional color, a dedicated bi-color fixture is the better value; the FEL-S1 C is for jobs where color and white share the rig.
It produces clean, accurate white light at every dimming level without the hue shift that happens when you mix red, green and blue at low power. That is the main reason to step up from an RGB fixture for broadcast key light work. Pastel and mid-tone colors still come from the RGB channels; the white channel handles the whites.
To 1800K, below the 2700K floor of a standard bi-color source. That stretch covers candlelit interiors and very warm tungsten matches that a 2700K unit only reaches with a gel.
Standard is the manual 15° to 55° zoom set from the rear. A DMX-addressable motorized auto-zoom is a factory option; order it in if the beam size needs to change mid-scene.
No. The PWM runs 1 to 20 kHz and the dimmer is 16-bit, so the light is flicker-free at 24, 25 and 30 fps and at 120 fps. The four dimming curves let you match the response to the shutter angle.
Two modes: 6-channel (basic RGBW plus dimmer and strobe) and 10-channel (adds 16-bit precision, macros and curve selection). RDM is supported in both. Built-in gel-match presets and color effects run without a desk.
Data is 3- or 5-pin XLR plus RJ45 Ethernet. Power is a Seetronic powerCON-compatible in/out; a Neutrik TRUE1 version is available at extra cost. The layout daisy-chains across a row of units.
50,000 hours, per the manufacturer spec. At roughly 12 hours a day, that is about eleven years before lumen depreciation reaches the L70 point.
The FEL-S1 C sits in places where full color variety and accurate whites both have to come from the same fixture.
Televizio e studi di trasmissione. News sets, talk shows and sitcoms where a color wash and a clean key share the same rig. The white channel holds skin tones on the anchors without a white-balance pass, while the RGB channels keep fashion and lifestyle segments in clean color.
Teatro e opera professionale. Saturated color washes and specials where a hot 1kW tungsten would force the operator to stand on a cold floor. The cool beam and 32 dB fan let the unit sit closer to the performer than a tungsten special can. The gel-match presets let a stage manager recall house looks between productions without reprogramming.
Tour di concerti e festival. High-output color washes and effects that cut through an LED wall. For open-air work, plan on a rated cover: the IP20 fixture is not for the elements.
Film e dramma televisivo. Creative color work in-camera combined with tunable whites for key and fill. The same unit that runs a saturated 3200K tungsten match in one scene runs a clean 5600K daylight key in the next, no gel change between takes.
Houses of worship and conference centers. Dynamic color for holidays and events with clean speech-intelligible whites on the podium. The quiet fan keeps it off the ambient track during recorded services.
FEL-S1 C 200W RGBW LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison
| Merkmale & | FEL-S1 C (200W RGBW LED) | Traditionelles Tungsten-Fresnel (1–2 kW) & | Sieger & Vorteil & |
|---|---|---|---|
| Stromverbrauch & | Nur 200W & | 1000W – 2000W & | LED → 80–90% less power, huge savings on electricity & generators |
| Kouëmsvunnä | Very low forward heat | Extremely hot – burns skin & gels | LED → Talent stays cool, no scorched gels or barn doors |
| Color Capabilities | Full RGBW + millions of colors + 1800K–8000K | Fixed 3200K only (gels required for color) | LED → Any color instantly, no physical gels ever needed |
| White Light Quality | CRI ≥97, CQS ≥96 across entire range | CRI ~95–98 at full, drops when dimmed | LED → Consistently perfect skin tones & broadcast-ready whites |
| Dimming | 0–100% senza tremulaziuns, 16-bit, 20kHz PWM | Flicker & severe color shift on dimmers | LED → Safe for any frame rate & slow-motion |
| Gewicht | ~9.5 kg | 12–18 kg | LED → Lighter, faster & safer rigging |
| Lamp Life | 50,000+ uras | 200–750 uras | LED → Almost zero maintenance or spare lamps |
| Instant On / Color Change | Instant on & instant color | Aquecimento de 30–60 s, minutos para reacendimento | LED → Faster shooting & live cueing |
| Noise Level | Ventoinha ultra-silenciosa (30dB) | Completamente silenciosa | Tungsten is dead silent (LED still acceptable for most sound work) |
| UV / IR Radiation | Nearly zero | UV IR elevet | LED → Safer for talent, artwork & fabrics |
| Beem-Kontroll | 10°–50° glat manuell Zoom | 10°–60° (similar) | Tie – both deliver classic soft-edge Fresnel look |
| Kontroll-Optiounen | DMX512 + RDM, built-in effects, gel library | Normalerweis nëmme un/aus oder bueegene Dimmer | LED → Full console integration + standalone shows |
| Initial Purchase Price | Mais elevado | Mais baixo | Tungsten cheaper upfront |
| Total Cost of Ownership (3 years) | Dramatically lower | Very high (power + lamps + gels) | LED pays for itself in months |
FEL-S1 C 200W RGBW LED Fresnel delivers the same beloved soft-edge Fresnel look as a traditional 1–2kW tungsten unit, but with vastly superior color capabilities (full RGBW + CRI 97 whites), instant color changes, zero heat on talent, flicker-free dimming, 90% lower power consumption, and a 50,000-hour lifespan. While tungsten remains slightly cheaper upfront and completely silent, the LED wins decisively in versatility, running costs, safety, and creative freedom. For any modern studio, theater, film set, or event that values speed, color power, and long-term economy, the FEL-S1 C is the clear upgrade and future-proof replacement.
Customer Reviews
“Effizient 200 W Leis mat 10°-50° Zoom, perfekt fir eengt Berliner Studios. RDM-Integratioun beschlënnegt d’Zoureechtlegung, an d’Aluminium-Këllung verhandelt d’Hëtzt ouni Lärm. Echart meng Tungsten-Kit ersat—spuert Energie an Setup-Zäit bei raschtem Serie.” ’
“Héich CQS 96 assuréiert natierlech Faarwen fir Vérité-Fussage. Manuelle Zoom an 16-Bit-Dimming gëtt präzise Kontroll op onvirschwänglech Orten. Kompakt Design reest liicht fir Europäesch Dokumentatiounen—iwwertrëfft aler Modeller a Vielseitigkeit.” ’
“Bi-Faarf-Aasstellung vun waarmen Tungsten bis kalle Dageliicht erhéicht d’Szene-Stimmung séidelos. Agebaute Programme fügen Effecten bei, ouni zousätzlecht Ekipage. Robuste Bauart iwwerlieft Nordesch Tourneen—onbeemlech fir dynamesch Live-Opfierungs.” ’
“Afstellbare PWM verhëlt Flicker bei Live-Ussendung. Aluminium-Wäermesënk mécht et zouverlässeg wärend laang BBC-Sessiounen. Bi-Faarf-Flexibilitéit passt bei Gemëscht Beluechtung—Setup ass eng Bries mam RJ45-Interface.” ’
“Robust powerCON-Links verbannen Daisy-Chain op e puer Momenter fir massivr Steng. 10° Spot bis 50° Flood hëllt Explosioune a Verfolgungen op. Stille Ventilator fënnt net a Mikrofonen—huet meng Atlanta Blockbuster-Schedule gerett.” ’
"Šum bez trepenja s visokim PWM-om za akcije od 120 fps. RDM dijagnostika sprečava propuste radnog vremena prilikom testiranja na Netfliksu. Precizna kontrola nadmašuje ARRI – transformirala je moje znanstveno-fantastično osvijetljenje u Hollywoodu."
“Effizient 200 W Leis mat 10°-50° Zoom, perfekt fir eengt Berliner Studios. RDM-Integratioun beschlënnegt d’Zoureechtlegung, an d’Aluminium-Këllung verhandelt d’Hëtzt ouni Lärm. Echart meng Tungsten-Kit ersat—spuert Energie an Setup-Zäit bei raschtem Serie.” ’
“Héich CQS 96 assuréiert natierlech Faarwen fir Vérité-Fussage. Manuelle Zoom an 16-Bit-Dimming gëtt präzise Kontroll op onvirschwänglech Orten. Kompakt Design reest liicht fir Europäesch Dokumentatiounen—iwwertrëfft aler Modeller a Vielseitigkeit.” ’
“Bi-Faarf-Aasstellung vun waarmen Tungsten bis kalle Dageliicht erhéicht d’Szene-Stimmung séidelos. Agebaute Programme fügen Effecten bei, ouni zousätzlecht Ekipage. Robuste Bauart iwwerlieft Nordesch Tourneen—onbeemlech fir dynamesch Live-Opfierungs.” ’
“Afstellbare PWM verhëlt Flicker bei Live-Ussendung. Aluminium-Wäermesënk mécht et zouverlässeg wärend laang BBC-Sessiounen. Bi-Faarf-Flexibilitéit passt bei Gemëscht Beluechtung—Setup ass eng Bries mam RJ45-Interface.” ’
“Robust powerCON-Links verbannen Daisy-Chain op e puer Momenter fir massivr Steng. 10° Spot bis 50° Flood hëllt Explosioune a Verfolgungen op. Stille Ventilator fënnt net a Mikrofonen—huet meng Atlanta Blockbuster-Schedule gerett.” ’
"Šum bez trepenja s visokim PWM-om za akcije od 120 fps. RDM dijagnostika sprečava propuste radnog vremena prilikom testiranja na Netfliksu. Precizna kontrola nadmašuje ARRI – transformirala je moje znanstveno-fantastično osvijetljenje u Hollywoodu."
“Effizient 200 W Leis mat 10°-50° Zoom, perfekt fir eengt Berliner Studios. RDM-Integratioun beschlënnegt d’Zoureechtlegung, an d’Aluminium-Këllung verhandelt d’Hëtzt ouni Lärm. Echart meng Tungsten-Kit ersat—spuert Energie an Setup-Zäit bei raschtem Serie.” ’
“Héich CQS 96 assuréiert natierlech Faarwen fir Vérité-Fussage. Manuelle Zoom an 16-Bit-Dimming gëtt präzise Kontroll op onvirschwänglech Orten. Kompakt Design reest liicht fir Europäesch Dokumentatiounen—iwwertrëfft aler Modeller a Vielseitigkeit.” ’
“Bi-Faarf-Aasstellung vun waarmen Tungsten bis kalle Dageliicht erhéicht d’Szene-Stimmung séidelos. Agebaute Programme fügen Effecten bei, ouni zousätzlecht Ekipage. Robuste Bauart iwwerlieft Nordesch Tourneen—onbeemlech fir dynamesch Live-Opfierungs.” ’
“Afstellbare PWM verhëlt Flicker bei Live-Ussendung. Aluminium-Wäermesënk mécht et zouverlässeg wärend laang BBC-Sessiounen. Bi-Faarf-Flexibilitéit passt bei Gemëscht Beluechtung—Setup ass eng Bries mam RJ45-Interface.” ’
“Robust powerCON-Links verbannen Daisy-Chain op e puer Momenter fir massivr Steng. 10° Spot bis 50° Flood hëllt Explosioune a Verfolgungen op. Stille Ventilator fënnt net a Mikrofonen—huet meng Atlanta Blockbuster-Schedule gerett.” ’
"Šum bez trepenja s visokim PWM-om za akcije od 120 fps. RDM dijagnostika sprečava propuste radnog vremena prilikom testiranja na Netfliksu. Precizna kontrola nadmašuje ARRI – transformirala je moje znanstveno-fantastično osvijetljenje u Hollywoodu."
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