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RGBAL LED Fresnel Lights 350W Studio Spot Light
FEL-S2 C is a powerful 350W RGBAL 5-in-1 COB LED Fresnel delivering an ultra-wide colour gamut plus outstanding white light quality (CRI ≥96, CQS ≥96) from 2700K to 10,000K. With smooth 10°–50° manual zoom, flicker-free 16-bit dimming, full DMX512 + RDM control and built-in effects, it is the ultimate creative studio and stage spotlight in one fixture.
Highlights
→ DMX512 Control + RDM
→ Easy Connection
→ High CRI 96, High CQS 96
→ RGBAL(2700K-10000K)
→ Dimming Curve: 4 Kinds
→ Aluminum Heat Sink with Fan
| Input | 110-240VAC | Power | 350W |
| Color Index |
2700-10000K, CRI96 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 500W RGBAL 5 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 5/9 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. RGBAL technology creates deeper reds, truer cyans and more accurate pastels than RGBW while still delivering CRI ≥96 whites—perfect when both dramatic colour and flawless skin tones are required from the same fixture.
2. 350W output rivals a 2kW tungsten Fresnel but uses 80% less power, runs almost cool to the touch and eliminates scorching gels and constant lamp changes.
3. Lime channel dramatically improves green-cyan reproduction and overall colour rendering, giving cinematographers and designers colours that were previously impossible with LED.
4. Flicker-free 20 kHz PWM and 16-bit dimming make it safe for 120 fps+ slow-motion and the latest digital cinema cameras used on major productions.
5. Full RDM, RJ45 Art-Net/sACN compatibility and built-in gel library speed programming on grandMA, Avolites or any modern console while reducing physical gel stock.
6. Durable aluminium construction, quiet fan and 50,000-hour rating drastically lower long-term costs for rental houses, theaters and permanent installations.
Q: How good are the whites with RGBAL instead of dedicated white LEDs?
A: Excellent—the calibrated five-channel mixing achieves CRI ≥96 and CQS ≥96 from 2700K to 10,000K, comparable to the best dedicated bi-colour fixtures.
Q: Is the fan quiet enough for theater and film dialogue?
A: Yes, the temperature-controlled fan produces less than 32 dB at 1 metre—quiet enough for most stage and studio recording environments.
Q: Does it include gel match presets?
A: Yes, popular LEE and Rosco gel colours are built in, plus user-customizable slots for instant recall.
Q: What DMX modes are available?
A: 5-channel (basic RGBAL + dimmer) and 9-channel (full 16-bit + CCT + macros + strobe + curve selection).
Q: Can I get motorized zoom?
A: Standard is manual zoom; factory-installed motorized auto-zoom controllable via DMX is available on request.
1. Television studios & broadcast: rich colour washes plus CRI 96 whites for news sets, talk shows, sitcoms and virtual production stages.
2. Large theater & opera houses: deep saturated colours for dramatic effects while maintaining accurate skin tones under mixed lighting rigs.
3. Concert touring & festivals: high-output RGBAL for vivid stage washes and specials that cut through follow-spot light.
4. Film & TV drama production: creative colour grading in-camera combined with beautiful tunable whites for key and fill.
5. Houses of worship & conference centers: dynamic colour-changing for holidays and events plus excellent speech intelligibility with natural whites.
6. High-end corporate events & fashion shows: precise beam control with millions of colours for brand-accurate lighting and dramatic reveals.
RGBAL vs RGBW LED Fresnels – Direct Head-to-Head Comparison
| Feature | RGBAL (5-in-1: R+G+B+A+Lime) | RGBW (4-in-1: R+G+B+White) | Winner & Why it matters |
|---|---|---|---|
| Color Gamut Coverage | Significantly wider – strong cyans, limes, pastels, deep ambers | Good, but weaker cyan/lime and warm tones | RGBAL – reaches ~95–98% Rec.2020 |
| Cyan / Teal / Mint | Excellent – Lime fixes the “cyan hole” | Poor to mediocre – cyan desaturates or shifts | RGBAL – essential for fashion & music videos |
| Deep Warm Ambers & Skin Tones | Rich, saturated 1800–2700K ambers | Weaker, slightly orange from red+green mix | RGBAL – convincing tungsten/golden hour |
| White Light Quality (CRI/TLCI) | 95–97+ across full range | 95–97 (highest on pure white) | RGBAL for consistency; RGBW slightly higher on pure white |
| Pastel & High-Saturation Purity | Superior – clean and vivid pastels | Pastels often muddy | RGBAL – loved by theater & concert designers |
| Maximum Brightness (White) | Slightly lower (Lime less efficient) | Higher in pure white | RGBW – small lumen advantage in white-only |
| Power Efficiency (White) | Good, ~10–15% behind RGBW in white | Best possible white per watt | RGBW if mostly white key/fill |
| Price & Complexity | More expensive + complex calibration | Simpler and cheaper | RGBW wins on cost |
| DMX Channels Needed | Usually 5–10 channels | Usually 4–8 channels | Tie – both manageable |
| Best Use Case | Theater, concert, film, fashion, virtual production | TV studios, streaming, corporate – mostly white + occasional color | Depends on workflow |
Choose RGBAL (FEL-S2 C) if your work demands the richest, most accurate color palette possible like modern theater, concert touring, high-end film, music videos, fashion, or virtual production. The visible difference in cyans, limes, pastels and deep ambers is dramatic and worth the small extra cost.
Choose RGBW (FEL-S1 C) if you mainly need beautiful tunable whites with occasional color washes and want maximum brightness and lowest price (most TV studios, streaming sets, houses of worship).
In 2025–2026, RGBAL is rapidly becoming the new professional standard wherever color quality is critical — just as RGBW replaced RGBA five years ago.
| Input | 110-240VAC | Power | 350W |
| Color Index |
2700-10000K, CRI96 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 500W RGBAL 5 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 5/9 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. RGBAL technology creates deeper reds, truer cyans and more accurate pastels than RGBW while still delivering CRI ≥96 whites—perfect when both dramatic colour and flawless skin tones are required from the same fixture.
2. 350W output rivals a 2kW tungsten Fresnel but uses 80% less power, runs almost cool to the touch and eliminates scorching gels and constant lamp changes.
3. Lime channel dramatically improves green-cyan reproduction and overall colour rendering, giving cinematographers and designers colours that were previously impossible with LED.
4. Flicker-free 20 kHz PWM and 16-bit dimming make it safe for 120 fps+ slow-motion and the latest digital cinema cameras used on major productions.
5. Full RDM, RJ45 Art-Net/sACN compatibility and built-in gel library speed programming on grandMA, Avolites or any modern console while reducing physical gel stock.
6. Durable aluminium construction, quiet fan and 50,000-hour rating drastically lower long-term costs for rental houses, theaters and permanent installations.
Q: How good are the whites with RGBAL instead of dedicated white LEDs?
A: Excellent—the calibrated five-channel mixing achieves CRI ≥96 and CQS ≥96 from 2700K to 10,000K, comparable to the best dedicated bi-colour fixtures.
Q: Is the fan quiet enough for theater and film dialogue?
A: Yes, the temperature-controlled fan produces less than 32 dB at 1 metre—quiet enough for most stage and studio recording environments.
Q: Does it include gel match presets?
A: Yes, popular LEE and Rosco gel colours are built in, plus user-customizable slots for instant recall.
Q: What DMX modes are available?
A: 5-channel (basic RGBAL + dimmer) and 9-channel (full 16-bit + CCT + macros + strobe + curve selection).
Q: Can I get motorized zoom?
A: Standard is manual zoom; factory-installed motorized auto-zoom controllable via DMX is available on request.
1. Television studios & broadcast: rich colour washes plus CRI 96 whites for news sets, talk shows, sitcoms and virtual production stages.
2. Large theater & opera houses: deep saturated colours for dramatic effects while maintaining accurate skin tones under mixed lighting rigs.
3. Concert touring & festivals: high-output RGBAL for vivid stage washes and specials that cut through follow-spot light.
4. Film & TV drama production: creative colour grading in-camera combined with beautiful tunable whites for key and fill.
5. Houses of worship & conference centers: dynamic colour-changing for holidays and events plus excellent speech intelligibility with natural whites.
6. High-end corporate events & fashion shows: precise beam control with millions of colours for brand-accurate lighting and dramatic reveals.
RGBAL vs RGBW LED Fresnels – Direct Head-to-Head Comparison
| Feature | RGBAL (5-in-1: R+G+B+A+Lime) | RGBW (4-in-1: R+G+B+White) | Winner & Why it matters |
|---|---|---|---|
| Color Gamut Coverage | Significantly wider – strong cyans, limes, pastels, deep ambers | Good, but weaker cyan/lime and warm tones | RGBAL – reaches ~95–98% Rec.2020 |
| Cyan / Teal / Mint | Excellent – Lime fixes the “cyan hole” | Poor to mediocre – cyan desaturates or shifts | RGBAL – essential for fashion & music videos |
| Deep Warm Ambers & Skin Tones | Rich, saturated 1800–2700K ambers | Weaker, slightly orange from red+green mix | RGBAL – convincing tungsten/golden hour |
| White Light Quality (CRI/TLCI) | 95–97+ across full range | 95–97 (highest on pure white) | RGBAL for consistency; RGBW slightly higher on pure white |
| Pastel & High-Saturation Purity | Superior – clean and vivid pastels | Pastels often muddy | RGBAL – loved by theater & concert designers |
| Maximum Brightness (White) | Slightly lower (Lime less efficient) | Higher in pure white | RGBW – small lumen advantage in white-only |
| Power Efficiency (White) | Good, ~10–15% behind RGBW in white | Best possible white per watt | RGBW if mostly white key/fill |
| Price & Complexity | More expensive + complex calibration | Simpler and cheaper | RGBW wins on cost |
| DMX Channels Needed | Usually 5–10 channels | Usually 4–8 channels | Tie – both manageable |
| Best Use Case | Theater, concert, film, fashion, virtual production | TV studios, streaming, corporate – mostly white + occasional color | Depends on workflow |
Choose RGBAL (FEL-S2 C) if your work demands the richest, most accurate color palette possible like modern theater, concert touring, high-end film, music videos, fashion, or virtual production. The visible difference in cyans, limes, pastels and deep ambers is dramatic and worth the small extra cost.
Choose RGBW (FEL-S1 C) if you mainly need beautiful tunable whites with occasional color washes and want maximum brightness and lowest price (most TV studios, streaming sets, houses of worship).
In 2025–2026, RGBAL is rapidly becoming the new professional standard wherever color quality is critical — just as RGBW replaced RGBA five years ago.
Feedback from the Clients Who Used
Efficient 200W power with 10°-50° zoom perfect for tight Berlin studios. RDM integration speeds rigging, and aluminum cooling handles heat without noise. Replaced my tungsten kit—saves energy and setup time on fast-paced series.
Verity Hampson
Lighting Designer
High CQS 96 ensures natural colors for vérité footage. Manual zoom and 16-bit dimming give precise control in unpredictable locations. Compact design travels light for European docs—outperforms old models in versatility.
Tim Routledge
Lighting Designer
Bi-color tuning from warm tungsten to cool daylight elevates stage moods seamlessly. Built-in programs add effects without extra gear. Durable build survives Nordic tours—essential for dynamic live performances.
Nigel Levings
Lighting Designer
Adjustable PWM prevents flicker in live broadcasts. Aluminum heat sink keeps it reliable during long BBC sessions. Bi-color flexibility matches mixed lighting—setup’s a breeze with RJ45 interface.
Jules Fisher
Lighting Designer
Robust powerCON links daisy-chain effortlessly for massive rigs. 10° spot to 50° flood handles explosions and chases. Quiet fan won’t mic in—saved my Atlanta blockbuster schedule.
Max Keller
Lighting Designer
High-frequency PWM flicker-free for 120fps action. RDM diagnostics prevent downtime on Netflix runs. Precise control rivals ARRI—transformed my sci-fi lighting in Hollywood.
Bruno Poet
Lighting Designer
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