Bi Color LED Fresnel 200W Studio Light Fixtures Kit

FEL-S1 B is a professional-grade 200W bi-color LED Fresnel designed specifically for film, television, photography, theatrical, and broadcast applications where absolute color accuracy, precise control, and reliability are non-negotiable. Built around a high-power 200W 2-in-1 COB LED module, it delivers an impressive output equivalent to a traditional 1kW–1.5kW tungsten Fresnel while consuming less than one-fifth the power and producing virtually no forward heat, dramatically improving comfort for talent and reducing air-conditioning costs on set.
At the heart of the FEL-S1 B is its exceptional color quality. With a CRI consistently rated at ≥97 and CQS ≥96 across the entire 2700K–6400K color temperature range, it reproduces skin tones, fabrics, and set pieces with stunning realism. The fixture offers three quick-select preset CCT modes in addition to fully variable tuning, allowing instant matching of daylight, tungsten, or any mixed lighting environment without the need for color-correction gels. TLCI values typically exceed 98, making it a trusted choice among leading cinematographers and gaffers who demand broadcast-ready performance straight out of the fixture.
Beam control is equally impressive. The optical system employs a high-efficiency Fresnel lens that provides a smooth, manually adjustable beam angle from a tight 10° spot to a wide 50° flood. Focus is achieved via a precise rear-focus knob that moves the COB module in relation to the lens, producing the characteristic soft-edged Fresnel beam with sharp barn-door cut-off capability. An optional motorized auto-zoom version is available for installations or productions requiring remote focus adjustments.
Dimming performance is class-leading. The FEL-S1 B supports both 8-bit and 16-bit resolution with four selectable dimming curves (linear, square, inverse-square, and S-curve), enabling perfect matching to other fixtures or talent preference. PWM frequency is fully adjustable from 1kHz up to 20kHz, guaranteeing completely flicker-free operation even when shooting slow-motion at 120fps or higher. High-frequency PWM also eliminates visible banding on the latest digital cinema cameras.
Professional control options are comprehensive. Full DMX512 implementation with RDM bidirectional communication allows remote addressing, fixture status monitoring, and firmware updates directly from the lighting console. Users can select between 2-channel (CCT + Dim), 3-channel (CCT, Dim, Strobe), or 6-channel (full parameter) modes. Built-in standalone programs include effects such as lightning, paparazzi, television flicker, and candle, useful for quick setups without a console. Manual control via the rear backlit LCD and encoder is intuitive and responsive.
Construction quality reflects years of on-set feedback. The entire housing is precision-machined from aluminum alloy and finished in durable matte grey powder coat. An integrated heat-sink and temperature-regulated ultra-quiet fan maintain optimal LED operating temperature while keeping noise levels well below 30dB at one meter—quiet enough for sound-recorded interviews and narrative film work. Expected LED lifetime exceeds 50,000 hours under normal operating conditions, translating to years of maintenance-free service.
Connectivity is designed for real-world production use. Power input and output utilize genuine Seetronic powerCON-compatible connectors (Neutrik powerCON TRUE1 optional), supporting daisy-chaining of multiple units from a single circuit. Data connections include both 3-pin and 5-pin XLR plus RJ45 Ethernet ports for Art-Net/sACN compatibility when used with appropriate gateways. All connectors are gold-plated and sealed against dust, meeting IP20 specifications for indoor studio use.
Accessories mount via a heavy-duty 28mm junior pin receiver and include 8-leaf rotating barn doors with safety mesh, gel frame, and optional soft boxes or snoots. The yoke features a large ergonomic locking handle and junior/baby receiver combo for flexible mounting on C-stands or grid systems.
In summary, the FEL-S1 B represents the perfect balance of traditional Fresnel aesthetics with cutting-edge LED technology. It delivers the warm, controllable light that cinematographers love, combined with the efficiency, longevity, and silent operation that modern productions demand. Whether you are lighting a feature film, broadcast studio, theatrical stage, or high-end content creation studio, the FEL-S1 B provides professional results that stand up to the closest scrutiny—both on set and in post-production.

1. Exceptional color rendering (CRI ≥97) ensures skin tones and costumes look completely natural on camera, reducing post-production color correction time and cost.
2. Wide 2700K-6400K range with three preset CCT modes allows instant matching of any existing lighting condition without gels.
3. Smooth, flicker-free dimming even at high frame rates, combined with adjustable PWM up to 20kHz, makes it safe for slow-motion and high-speed shooting.
4. Full DMX+RDM support plus multiple channel modes and built-in programs offer maximum flexibility for both simple and complex lighting rigs.
5. Durable all-aluminum construction with active fan cooling keeps the unit running reliably during long shoots while staying quiet enough for sound-sensitive environments.
6. Versatile connectivity (powerCON-compatible, 3/5-pin XLR, RJ45) and easy daisy-chaining speed up setup and reduce cable clutter on set.

1. Film and television studio lighting: delivers accurate color and controllable beam for key, fill, and background lighting in multi-camera setups.
2. Photography studios and video content creation: perfect color temperature matching and soft-edged Fresnel beam ideal for portrait, product, and interview shooting.
3. Theater and stage productions: DMX+RDM compatibility and silent operation make it excellent for live performances and broadcasting.
4. Live streaming and YouTube studios: high CRI and adjustable color temperature provide professional results for talking-head and creative content.
5. Event and conference lighting: compact size, easy rigging, and reliable cooling suit long-duration corporate events and keynote presentations.
6. Educational and rental houses: robust build, long lifespan, and versatile control options make it a favorite for schools, universities, and rental inventories.

FEL-S1 B 200W Bi-Color LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison

FEL-S1 B delivers the same beloved soft-edged Fresnel look that cinematographers have used for decades, but eliminates nearly every practical drawback of tungsten: heat, power draw, short lamp life, color shift when dimming, and constant maintenance. For any production that shoots more than a few days a year, the LED version pays for itself quickly while giving superior creative flexibility and on-set comfort. The only scenarios where traditional tungsten still wins are ultra-low-budget shoots that already own the lamps and need absolute dead silence with no fan at all. In every other respect—especially professional film, TV, streaming, and rental houses—the FEL-S1 B is the clear modern replacement.