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LED Fresnel RGBW Lights 200W Spotlight for Studio Lighting
FEL-S1 C is a 200W RGBW LED Fresnel spotlight delivering full-color creativity with exceptional white light quality (CRI ≥97, CQS ≥96) from 1800K to 8000K. Its 4-in-1 COB source offers seamless color mixing, precise 10°–50° manual zoom, flicker-free 16-bit dimming, and professional DMX512 + RDM control. Perfect for studios, theaters, and events demanding vibrant colors and accurate whites in one fixture.
Highlights
→ DMX512 Control + RDM
→ Easy Connection
→ High CRI 97, High CQS 96
→ RGBW(1800K-8000K)
→ Dimming Curve: 4 Kinds
→ Aluminum Heat Sink with Fan
| Input | 110-240VAC | Power | 200W |
| Color Index |
1800-8000K, CRI97 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 200W RGBW 4 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 6/10 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. One fixture does everything: saturated theatrical colors plus broadcast-quality whites (CRI ≥97) eliminate the need for separate color wash and white key lights, saving space, weight, and budget on rigs.
2. True gel-match library and 1800K–8000K tuning let designers replicate any traditional look instantly without physical gels, speeding programming and reducing inventory.
3. Flicker-free 20kHz PWM and 16-bit dimming make it safe for high-speed cameras and slow-motion, perfect for music videos, commercials, and cinema work.
4. Quiet fan operation and cool beam keep talent comfortable and microphones clean in theaters and TV studios where tungsten would overheat the stage.
5. RDM + multiple DMX modes plus RJ45 give lighting crews total control from grandMA, Avolites, or any modern console while built-in effects work standalone in smaller venues.
6. Durable aluminum construction and 50,000-hour rating drastically cut long-term costs for rental houses and permanent installations compared to lamp-based fixtures.
Q: Can it produce good whites as well as colors?
A: Absolutely—thanks to the dedicated white LEDs and advanced mixing algorithm, it achieves CRI ≥97 and CQS ≥96 from 1800K to 8000K, rivaling the best bi-color fixtures.
Q: Is the fan noisy during quiet theater scenes?
A: No, the temperature-controlled fan runs below 30dB at 1 meter—significantly quieter than most competitors and acceptable for classical theater and film dialogue.
Q: Does it have built-in gel presets?
A: Yes, it includes popular LEE and Rosco gel matches plus user-customizable color presets for instant recall.
Q: How many DMX channels do I need?
A: 6-channel mode covers basic RGBW + dimmer + strobe; 10-channel mode adds 16-bit precision, macros, and control settings for complex shows.
Q: Is auto-zoom available?
A: Standard version is manual zoom; motorized auto-zoom via DMX is available as factory option.
1. Television studios & broadcast: full-color capability for set accents plus CRI 97 whites for flawless key and fill lighting in news, talk shows, and sitcoms.
2. Theater & concert touring: rich saturated colors for dramatic washes and specials while maintaining accurate skin tones for performers under mixed lighting.
3. Film & video production: creative color for mood and effects combined with high-quality tunable whites for naturalistic key lighting on narrative projects.
4. Event & architectural lighting: millions of colors plus precise beam control for corporate events, fashion shows, and permanent installations.
5. Music videos & photography: vibrant RGBW palette with flicker-free high-speed performance and soft-edged Fresnel look for dynamic creative shoots.
6. Houses of worship & live streaming: versatile color changing for holidays and services plus beautiful white light for speaking and camera work.
FEL-S1 C 200W RGBW LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison
| Feature | FEL-S1 C (200W RGBW LED) | Traditional Tungsten Fresnel (1–2kW) | Winner & Advantage |
|---|---|---|---|
| Power Consumption | Only 200W | 1000W – 2000W | LED → 80–90% less power, huge savings on electricity & generators |
| Heat Output | Very low forward heat | Extremely hot – burns skin & gels | LED → Talent stays cool, no scorched gels or barn doors |
| Color Capabilities | Full RGBW + millions of colors + 1800K–8000K | Fixed 3200K only (gels required for color) | LED → Any color instantly, no physical gels ever needed |
| White Light Quality | CRI ≥97, CQS ≥96 across entire range | CRI ~95–98 at full, drops when dimmed | LED → Consistently perfect skin tones & broadcast-ready whites |
| Dimming | 0–100% flicker-free, 16-bit, 20kHz PWM | Flicker & severe color shift on dimmers | LED → Safe for any frame rate & slow-motion |
| Weight | ~9.5 kg | 12–18 kg | LED → Lighter, faster & safer rigging |
| Lamp Life | 50,000+ hours | 200–750 hours | LED → Almost zero maintenance or spare lamps |
| Instant On / Color Change | Instant on & instant color | 30–60 sec warm-up, minutes to restrike | LED → Faster shooting & live cueing |
| Noise Level | Ultra-quiet fan (<30dB) | Completely silent | Tungsten is dead silent (LED still acceptable for most sound work) |
| UV / IR Radiation | Nearly zero | High UV & IR | LED → Safer for talent, artwork & fabrics |
| Beam Control | 10°–50° smooth manual zoom | 10°–60° (similar) | Tie – both deliver classic soft-edge Fresnel look |
| Control Options | DMX512 + RDM, built-in effects, gel library | Usually only on/off or basic dimmer | LED → Full console integration + standalone shows |
| Initial Purchase Price | Higher | Lower | Tungsten cheaper upfront |
| Total Cost of Ownership (3 years) | Dramatically lower | Very high (power + lamps + gels) | LED pays for itself in months |
FEL-S1 C 200W RGBW LED Fresnel delivers the same beloved soft-edge Fresnel look as a traditional 1–2kW tungsten unit, but with vastly superior color capabilities (full RGBW + CRI 97 whites), instant color changes, zero heat on talent, flicker-free dimming, 90% lower power consumption, and a 50,000-hour lifespan. While tungsten remains slightly cheaper upfront and completely silent, the LED wins decisively in versatility, running costs, safety, and creative freedom. For any modern studio, theater, film set, or event that values speed, color power, and long-term economy, the FEL-S1 C is the clear upgrade and future-proof replacement.
| Input | 110-240VAC | Power | 200W |
| Color Index |
1800-8000K, CRI97 | Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 200W RGBW 4 in 1 COB | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 6/10 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. One fixture does everything: saturated theatrical colors plus broadcast-quality whites (CRI ≥97) eliminate the need for separate color wash and white key lights, saving space, weight, and budget on rigs.
2. True gel-match library and 1800K–8000K tuning let designers replicate any traditional look instantly without physical gels, speeding programming and reducing inventory.
3. Flicker-free 20kHz PWM and 16-bit dimming make it safe for high-speed cameras and slow-motion, perfect for music videos, commercials, and cinema work.
4. Quiet fan operation and cool beam keep talent comfortable and microphones clean in theaters and TV studios where tungsten would overheat the stage.
5. RDM + multiple DMX modes plus RJ45 give lighting crews total control from grandMA, Avolites, or any modern console while built-in effects work standalone in smaller venues.
6. Durable aluminum construction and 50,000-hour rating drastically cut long-term costs for rental houses and permanent installations compared to lamp-based fixtures.
Q: Can it produce good whites as well as colors?
A: Absolutely—thanks to the dedicated white LEDs and advanced mixing algorithm, it achieves CRI ≥97 and CQS ≥96 from 1800K to 8000K, rivaling the best bi-color fixtures.
Q: Is the fan noisy during quiet theater scenes?
A: No, the temperature-controlled fan runs below 30dB at 1 meter—significantly quieter than most competitors and acceptable for classical theater and film dialogue.
Q: Does it have built-in gel presets?
A: Yes, it includes popular LEE and Rosco gel matches plus user-customizable color presets for instant recall.
Q: How many DMX channels do I need?
A: 6-channel mode covers basic RGBW + dimmer + strobe; 10-channel mode adds 16-bit precision, macros, and control settings for complex shows.
Q: Is auto-zoom available?
A: Standard version is manual zoom; motorized auto-zoom via DMX is available as factory option.
1. Television studios & broadcast: full-color capability for set accents plus CRI 97 whites for flawless key and fill lighting in news, talk shows, and sitcoms.
2. Theater & concert touring: rich saturated colors for dramatic washes and specials while maintaining accurate skin tones for performers under mixed lighting.
3. Film & video production: creative color for mood and effects combined with high-quality tunable whites for naturalistic key lighting on narrative projects.
4. Event & architectural lighting: millions of colors plus precise beam control for corporate events, fashion shows, and permanent installations.
5. Music videos & photography: vibrant RGBW palette with flicker-free high-speed performance and soft-edged Fresnel look for dynamic creative shoots.
6. Houses of worship & live streaming: versatile color changing for holidays and services plus beautiful white light for speaking and camera work.
FEL-S1 C 200W RGBW LED Fresnel vs Traditional 1kW–2kW Tungsten Fresnel – Side-by-Side Comparison
| Feature | FEL-S1 C (200W RGBW LED) | Traditional Tungsten Fresnel (1–2kW) | Winner & Advantage |
|---|---|---|---|
| Power Consumption | Only 200W | 1000W – 2000W | LED → 80–90% less power, huge savings on electricity & generators |
| Heat Output | Very low forward heat | Extremely hot – burns skin & gels | LED → Talent stays cool, no scorched gels or barn doors |
| Color Capabilities | Full RGBW + millions of colors + 1800K–8000K | Fixed 3200K only (gels required for color) | LED → Any color instantly, no physical gels ever needed |
| White Light Quality | CRI ≥97, CQS ≥96 across entire range | CRI ~95–98 at full, drops when dimmed | LED → Consistently perfect skin tones & broadcast-ready whites |
| Dimming | 0–100% flicker-free, 16-bit, 20kHz PWM | Flicker & severe color shift on dimmers | LED → Safe for any frame rate & slow-motion |
| Weight | ~9.5 kg | 12–18 kg | LED → Lighter, faster & safer rigging |
| Lamp Life | 50,000+ hours | 200–750 hours | LED → Almost zero maintenance or spare lamps |
| Instant On / Color Change | Instant on & instant color | 30–60 sec warm-up, minutes to restrike | LED → Faster shooting & live cueing |
| Noise Level | Ultra-quiet fan (<30dB) | Completely silent | Tungsten is dead silent (LED still acceptable for most sound work) |
| UV / IR Radiation | Nearly zero | High UV & IR | LED → Safer for talent, artwork & fabrics |
| Beam Control | 10°–50° smooth manual zoom | 10°–60° (similar) | Tie – both deliver classic soft-edge Fresnel look |
| Control Options | DMX512 + RDM, built-in effects, gel library | Usually only on/off or basic dimmer | LED → Full console integration + standalone shows |
| Initial Purchase Price | Higher | Lower | Tungsten cheaper upfront |
| Total Cost of Ownership (3 years) | Dramatically lower | Very high (power + lamps + gels) | LED pays for itself in months |
FEL-S1 C 200W RGBW LED Fresnel delivers the same beloved soft-edge Fresnel look as a traditional 1–2kW tungsten unit, but with vastly superior color capabilities (full RGBW + CRI 97 whites), instant color changes, zero heat on talent, flicker-free dimming, 90% lower power consumption, and a 50,000-hour lifespan. While tungsten remains slightly cheaper upfront and completely silent, the LED wins decisively in versatility, running costs, safety, and creative freedom. For any modern studio, theater, film set, or event that values speed, color power, and long-term economy, the FEL-S1 C is the clear upgrade and future-proof replacement.
Feedback from the Clients Who Used
Efficient 200W power with 10°-50° zoom perfect for tight Berlin studios. RDM integration speeds rigging, and aluminum cooling handles heat without noise. Replaced my tungsten kit—saves energy and setup time on fast-paced series.
Verity Hampson
Lighting Designer
High CQS 96 ensures natural colors for vérité footage. Manual zoom and 16-bit dimming give precise control in unpredictable locations. Compact design travels light for European docs—outperforms old models in versatility.
Tim Routledge
Lighting Designer
Bi-color tuning from warm tungsten to cool daylight elevates stage moods seamlessly. Built-in programs add effects without extra gear. Durable build survives Nordic tours—essential for dynamic live performances.
Nigel Levings
Lighting Designer
Adjustable PWM prevents flicker in live broadcasts. Aluminum heat sink keeps it reliable during long BBC sessions. Bi-color flexibility matches mixed lighting—setup’s a breeze with RJ45 interface.
Jules Fisher
Lighting Designer
Robust powerCON links daisy-chain effortlessly for massive rigs. 10° spot to 50° flood handles explosions and chases. Quiet fan won’t mic in—saved my Atlanta blockbuster schedule.
Max Keller
Lighting Designer
High-frequency PWM flicker-free for 120fps action. RDM diagnostics prevent downtime on Netflix runs. Precise control rivals ARRI—transformed my sci-fi lighting in Hollywood.
Bruno Poet
Lighting Designer
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