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Fresnel Spotlight LED Mini 300W 350W for Stage Lighting
FEL-S2 A is a compact yet powerful 350W single-color LED Fresnel spotlight delivering ultra-high CRI >97 and CQS ≥96 at 3000K (4000K/6000K optional). With smooth 10°–50° manual zoom, flicker-free 16-bit dimming, full DMX512 + RDM control and quiet cooling, it offers the classic warm Fresnel look with modern LED efficiency and reliability for stage, studio and theater use.
Highlights
→ DMX512 Control + RDM
→ 350W COB, CRI >97
→ Classic 3000K tungsten look
→ Easy Connection
→ High CRI 97, High CQS 96
→ Dimming Curve: 4 Kinds
→ Aluminum Heat Sink with Fan
| Input | 110-240VAC | Power | 350W |
| Color Index |
3000K COB CRI>97
4KK, or 6KK option |
Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 350W Single Color | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 1/2 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. Perfectly replicates the warm, soft-edged look of 2kW tungsten Fresnels but uses 80% less power and runs cool—ideal for talent comfort and smaller power distribution.
2. CRI >97 and CQS ≥96 deliver flawless skin tones and color reproduction for both live theater audiences and 4K/8K cameras.
3. Flicker-free dimming up to 20 kHz PWM with four curves makes it safe for high-speed filming and slow-motion shots without banding.
4. Ultra-quiet fan operation (<32 dB) and no forward heat allow placement close to performers and microphones in theaters and studios.
5. 50,000-hour LED life plus rugged aluminium build drastically reduce maintenance and lamp stock costs for rental houses and venues.
Full DMX + RDM, RJ45 compatibility and built-in programs offer maximum flexibility from small clubs to large touring rigs.
Q: Is it really as warm and beautiful as tungsten?
A: Yes—3000K version is calibrated to match traditional tungsten exactly, with the same soft fall-off and flattering skin rendering.
Q: How quiet is the fan?
A: Less than 32 dB at 1 meter—quiet enough for classical theater, narrative film and any sound-sensitive environment.
Q: Can I get it in daylight 5600K/6000K?
A: Yes, 4000K and 6000K versions are available on request with the same CRI >97 performance.
Q: Does it flicker on high-speed cameras?
A: No—adjustable PWM up to 20 kHz and 16-bit dimming ensure completely flicker-free output at any frame rate.
Q: What power connectors are supplied?
A: Seetronic powerCON-compatible in/out are standard; genuine Neutrik powerCON TRUE1 is optional.
Professional theater & opera: classic tungsten-style key and special lighting with no heat on performers and silent operation.
Television studios & broadcast: high-CRI key, fill and back light that matches perfectly with other LED or traditional sources.
Concert & touring productions: punchy 350W output cuts through stage wash while keeping power draw low on generators.
Film & drama sets: authentic soft Fresnel look with cool beam and flicker-free performance for slow-motion and high-frame-rate work.
Houses of worship & conference halls: warm, flattering illumination for speakers with easy integration into existing DMX systems.
Rental inventories & schools: long-life, low-maintenance fixture that replaces aging tungsten units with immediate cost savings.
LED Profile Spotlight Alternatives: Top Recommendations for Stage and Studio Lighting (2025)
LED profile spotlights (also known as ellipsoidal reflector spotlights or Lekos) are essential for precise beam shaping, gobo projection, and hard-edged lighting in theaters, studios, and events. They excel at creating focused pools of light with sharp cutoffs using framing shutters, iris, and accessories. If you’re seeking alternatives—due to budget, portability, color needs, or dynamic effects—here are the best options based on current industry trends. These draw from leading brands like ETC, Chauvet, Elation, and Martin, emphasizing LED efficiency, high CRI (90+ for accurate colors), and DMX control. I’ve prioritized versatility for stage/theater use.
1. LED Moving Head Spots (e.g., Chauvet DJ Intimidator Spot 260X or Elation Fuze Spot 120)
Why it’s a great alternative: Replaces fixed profiles with motorized pan/tilt for automated tracking of performers. Offers zoom (10°–50°), gobos, and color wheels for dynamic effects, mimicking profile precision but with movement. 75–120W LEDs provide punchy output equivalent to 575W halogens.
Pros: Instant color changes, sound-activated modes, compact for touring. CRI 90+ for skin tones.
Cons: Higher cost (~$800–$1,500); requires DMX for full control.
Best for: Concerts, dance, and live events where static profiles fall short.
2. LED Ellipsoidal/ERS Lights (e.g., ETC Source Four LED Series or SHEHDS LEKO LED Profile 250W)
Why it’s a great alternative: Direct LED upgrade to traditional profiles—same hard-edged beam, framing shutters, and gobo slots, but with tunable white (3000K–6000K) and 250–350W output. No heat buildup, 50,000+ hour lifespan.
Pros: Seamless drop-in replacement; high CRI 95+; energy-efficient (80% less power than halogen). Manual zoom and accessories compatible.
Cons: Fixed position (no movement); premium pricing (~$1,000–$2,000).
Best for: Theaters and broadcast studios needing precise, static shaping.
3. LED PAR Cans with Beam Control (e.g., Chauvet DJ SlimPAR Pro or Martin VL800 EventPAR)
Why it’s a great alternative: Versatile wash/spot hybrid with adjustable beam angles (15°–60°) and barn doors for edge control. RGBW mixing adds color flexibility absent in basic profiles. 100–200W LEDs flood or focus like a soft-edged profile.
Pros: Affordable (~$200–$600); wireless DMX options; lightweight for quick setups. High CRI 95 for even illumination.
Cons: Softer edges than true profiles; limited gobo projection.
Best for: Small venues, churches, and hybrid wash/spot needs.
4. LED Fresnel Spotlights (e.g., VANRAY 200W LED Fresnel or Nanlite Forza 60C)
Why it’s a great alternative: Provides soft-edged, adjustable beams (10°–50°) like profiles but with warmer diffusion for blending. Bi-color (2700K–6500K) and dimming curves match theater moods. 60–350W output rivals mid-range profiles.
Pros: Silent fans, flicker-free for video; easy zoom. CRI 97+ for natural rendering.
Cons: Less sharp cutoffs; not ideal for gobos.
Best for: Film sets, dance studios, and transitional lighting.
5. LED Soft LED Panels or Cyc Lights (e.g., PROLIGHTS EclPanel TWC or Elation KL Panel XL)
Why it’s a great alternative: For broader coverage, these tunable panels (RGBWW) simulate profile washes with even, soft light and color mixing. 100–300W with diffusion for edge control.
Pros: High uniformity, app/DMX control; CRI 96+ for video. Portable and stackable.
Cons: No tight beams or gobos; bulkier for spots.
Best for: Backdrops, virtual production, and ambient studio fills.
| Input | 110-240VAC | Power | 350W |
| Color Index |
3000K COB CRI>97
4KK, or 6KK option |
Waterproof Rated | IP20 |
| Lens Angle | 10° – 50° | Life Time | 50 000 hours |
| Light Source | 350W Single Color | Control Protocal | DMX 512+RDM |
| Dimming Mode | 8&16 bits Dimming | CQS | ≥96 |
| PWM | 1-20KHZ | DMX Channels | 1/2 CH |
| Built- Programs | Yes | Size | 481x324x444mm |
| Power In | Seetronic / Neutrik (Optional） | ||
| Data Connection | 3 PIN or 5 PIN XLR DMX , RJ45 Interface | ||
| Materials | Aluminum Body with Fan for Cooling | ||
| Finished | Matte Grey | ||
| Zoom |
Manual, (Auto Zoom for Option) | ||
Send Your Inquiry
1. Perfectly replicates the warm, soft-edged look of 2kW tungsten Fresnels but uses 80% less power and runs cool—ideal for talent comfort and smaller power distribution.
2. CRI >97 and CQS ≥96 deliver flawless skin tones and color reproduction for both live theater audiences and 4K/8K cameras.
3. Flicker-free dimming up to 20 kHz PWM with four curves makes it safe for high-speed filming and slow-motion shots without banding.
4. Ultra-quiet fan operation (<32 dB) and no forward heat allow placement close to performers and microphones in theaters and studios.
5. 50,000-hour LED life plus rugged aluminium build drastically reduce maintenance and lamp stock costs for rental houses and venues.
Full DMX + RDM, RJ45 compatibility and built-in programs offer maximum flexibility from small clubs to large touring rigs.
Q: Is it really as warm and beautiful as tungsten?
A: Yes—3000K version is calibrated to match traditional tungsten exactly, with the same soft fall-off and flattering skin rendering.
Q: How quiet is the fan?
A: Less than 32 dB at 1 meter—quiet enough for classical theater, narrative film and any sound-sensitive environment.
Q: Can I get it in daylight 5600K/6000K?
A: Yes, 4000K and 6000K versions are available on request with the same CRI >97 performance.
Q: Does it flicker on high-speed cameras?
A: No—adjustable PWM up to 20 kHz and 16-bit dimming ensure completely flicker-free output at any frame rate.
Q: What power connectors are supplied?
A: Seetronic powerCON-compatible in/out are standard; genuine Neutrik powerCON TRUE1 is optional.
Professional theater & opera: classic tungsten-style key and special lighting with no heat on performers and silent operation.
Television studios & broadcast: high-CRI key, fill and back light that matches perfectly with other LED or traditional sources.
Concert & touring productions: punchy 350W output cuts through stage wash while keeping power draw low on generators.
Film & drama sets: authentic soft Fresnel look with cool beam and flicker-free performance for slow-motion and high-frame-rate work.
Houses of worship & conference halls: warm, flattering illumination for speakers with easy integration into existing DMX systems.
Rental inventories & schools: long-life, low-maintenance fixture that replaces aging tungsten units with immediate cost savings.
LED Profile Spotlight Alternatives: Top Recommendations for Stage and Studio Lighting (2025)
LED profile spotlights (also known as ellipsoidal reflector spotlights or Lekos) are essential for precise beam shaping, gobo projection, and hard-edged lighting in theaters, studios, and events. They excel at creating focused pools of light with sharp cutoffs using framing shutters, iris, and accessories. If you’re seeking alternatives—due to budget, portability, color needs, or dynamic effects—here are the best options based on current industry trends. These draw from leading brands like ETC, Chauvet, Elation, and Martin, emphasizing LED efficiency, high CRI (90+ for accurate colors), and DMX control. I’ve prioritized versatility for stage/theater use.
1. LED Moving Head Spots (e.g., Chauvet DJ Intimidator Spot 260X or Elation Fuze Spot 120)
Why it’s a great alternative: Replaces fixed profiles with motorized pan/tilt for automated tracking of performers. Offers zoom (10°–50°), gobos, and color wheels for dynamic effects, mimicking profile precision but with movement. 75–120W LEDs provide punchy output equivalent to 575W halogens.
Pros: Instant color changes, sound-activated modes, compact for touring. CRI 90+ for skin tones.
Cons: Higher cost (~$800–$1,500); requires DMX for full control.
Best for: Concerts, dance, and live events where static profiles fall short.
2. LED Ellipsoidal/ERS Lights (e.g., ETC Source Four LED Series or SHEHDS LEKO LED Profile 250W)
Why it’s a great alternative: Direct LED upgrade to traditional profiles—same hard-edged beam, framing shutters, and gobo slots, but with tunable white (3000K–6000K) and 250–350W output. No heat buildup, 50,000+ hour lifespan.
Pros: Seamless drop-in replacement; high CRI 95+; energy-efficient (80% less power than halogen). Manual zoom and accessories compatible.
Cons: Fixed position (no movement); premium pricing (~$1,000–$2,000).
Best for: Theaters and broadcast studios needing precise, static shaping.
3. LED PAR Cans with Beam Control (e.g., Chauvet DJ SlimPAR Pro or Martin VL800 EventPAR)
Why it’s a great alternative: Versatile wash/spot hybrid with adjustable beam angles (15°–60°) and barn doors for edge control. RGBW mixing adds color flexibility absent in basic profiles. 100–200W LEDs flood or focus like a soft-edged profile.
Pros: Affordable (~$200–$600); wireless DMX options; lightweight for quick setups. High CRI 95 for even illumination.
Cons: Softer edges than true profiles; limited gobo projection.
Best for: Small venues, churches, and hybrid wash/spot needs.
4. LED Fresnel Spotlights (e.g., VANRAY 200W LED Fresnel or Nanlite Forza 60C)
Why it’s a great alternative: Provides soft-edged, adjustable beams (10°–50°) like profiles but with warmer diffusion for blending. Bi-color (2700K–6500K) and dimming curves match theater moods. 60–350W output rivals mid-range profiles.
Pros: Silent fans, flicker-free for video; easy zoom. CRI 97+ for natural rendering.
Cons: Less sharp cutoffs; not ideal for gobos.
Best for: Film sets, dance studios, and transitional lighting.
5. LED Soft LED Panels or Cyc Lights (e.g., PROLIGHTS EclPanel TWC or Elation KL Panel XL)
Why it’s a great alternative: For broader coverage, these tunable panels (RGBWW) simulate profile washes with even, soft light and color mixing. 100–300W with diffusion for edge control.
Pros: High uniformity, app/DMX control; CRI 96+ for video. Portable and stackable.
Cons: No tight beams or gobos; bulkier for spots.
Best for: Backdrops, virtual production, and ambient studio fills.
Feedback from the Clients Who Used
Warm 3000K beam shapes authentic locations with soft edges. Flicker-free 20kHz PWM ideal for handheld docs. Compact design travels light—elevated my Rome shoots with reliable CRI excellence.
Verity Hampson
Lighting Designer
Efficient 350W output at low power suits Milan studios. High CQS 96 renders skin tones naturally. DMX + RDM speeds rigging—quiet cooling keeps dialogue clean during long takes.
Tim Routledge
Lighting Designer
Four dimming curves create moody fades in Berlin stages. Aluminum heat sink runs silent for live plays. 50,000-hour life cuts costs—classic Fresnel look with modern efficiency.
Nigel Levings
Lighting Designer
3000K tuning matches natural light for narrative depth in UK epics. Quiet fan suits intimate scenes. High CRI >97 nails subtle shadows—essential upgrade for every toolkit.
Jules Fisher
Lighting Designer
Built-in programs quicken BBC setups. RJ45 Art-Net integrates effortlessly. Warm CRI >97 matches sets—reliable for endless broadcasts without heat buildup.
Max Keller
Lighting Designer
High PWM flicker-free for 120fps drama. RDM diagnostics prevent downtime. 350W punch rivals ARRI—transformed my streaming lighting with authentic warmth.
Bruno Poet
Lighting Designer
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