Décodeur DMX 5 canaux 512 RGBWW sur rail DIN

Quality Assurance: Rigorous testing and premium components ensure long-lasting performance.

Expert Support: Our engineering team provides full technical support for your projects.

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Is this dimmable? Yes, compatible with most PWM dimmers.

Can it be cut? Yes, cuttable every 50mm.

What is the warranty period? We offer a standard 3-year warranty on all our premium LED lighting systems.

The FEL-CD264 is the decoder for the large-scale RGBWW installs that wire the DMX on the terminals: the DIN-rail fitting that sits in the distribution board and drives the colour and the tunable white from the DMX line.

Architectural and façade lighting. The decoders line the distribution boards, the terminal blocks land the DMX per zone, and the RGBWW strips run the colour and the tunable white from one decoder per zone.

Hotels and hospitality. The dual-white fittings dim and shift on the 4096-level decode, the scene changes read clean on camera, and the DIN rail keeps the decoders in the panel the staff can reach.

Stage and studio rigs. The CV strips decode as slave to the desk, the 5-channel RGBWW covers the colour and the white separately, and the master mode runs the small rigs without a console.

Retail and display installations. The 4096-level decode drives the slow, camera-visible fades the display lighting runs, and the decoders scale across the floors on the rail.

Distribution-board installs. The decoders line up in the panel the electrician wires, the terminal block lands the line where the structured cabling stops, and the panel layout is the documentation the next contractor reads.

Why do buyers pick the FEL-CD264 over the alternatives? Here is what we hear from customers:

DIN rail for the large-scale installs. The decoders line up in the distribution board instead of scattering across the ceiling void — the panel the electrician wires is the panel the AV team patches, and both sides find the channels where they left them.

Terminal block for the panels without structured cabling. The DMX lands directly on the block — the simpler wiring for the installs that do not run the RJ45, with the daisy-chain continuing from the same block.

RGBWW: the colour and the tunable white on one decoder. Five channels at 5 amps each carry the colour mix and the tunable white together, which is the set the dual-white strips and the colour-plus-white fittings run.

4096 grey levels per channel. The fades run without the stepping the 8-bit decoders show at the low end — the slow scene changes read clean on camera, and the low-end dimming is where the cheap decoders fail.

Master or slave. The controller runs standalone as master or joins the desk as slave — the small installs and the big rigs run the same hardware.

Q: What does RGBWW mean?
A: Five channels — red, green, blue, warm white and white. The RGB channels carry the colour mix, and the two white channels carry the tunable white separately, which is the set the dual-white strips and the colour-plus-white fittings run.

Q: What supply does it need?
A: DC12-24V. The output power runs 300W at 12V or 600W at 24V, so size the supply to the strip load and run the higher voltage where the long runs need the headroom.

Q: How many channels does it decode?
A: Five DMX channels, one per output, with 4096 grey levels per channel. The decode is what gives the smooth, soft dimming the low-end fades need.

Q: What is the DMX connection?
A: The terminal block — the DMX512/1990 line lands directly on the block, and the daisy-chain continues from it. The range also carries the CD268 with the RJ45 socket for the installs that run the structured cabling; the electricals are identical, and the connection is the choice.

Q: How is it mounted?
A: DIN rail, for the large-scale projects. The decoder clicks into the distribution board — the panel the electrician wires is the panel the AV team patches, and the 111×46×66mm body at 135g carries on the rail without a bracket.

Q: What load can each channel carry?
A: 5 amps per channel, 5 channels — 25 amps total across the outputs, or 300W at 12V and 600W at 24V. Size the supply to the strip load and keep the headroom on the channel the long runs need.

Q: What temperature does it work in?
A: -20°C to +55°C, which covers the distribution boards, the ceiling voids and the plant rooms the installs run the decoders in.

Q: Can it run without a DMX desk?
A: Yes — the controller runs as master on the DMX line for the standalone setups. Join the fittings as slaves, run the scene from the master, and the small installs work without a desk. For the shows, patch it as slave to the console.